Mercury Astronauts

 
By Gregg Glory 
 
BLAST PRESS 
 
Copyright © 1994 
 
 
 





LILLIPUTIAN TRAGEDY

 
A fetus of dreams
Bunched beneath an ear, a cauliflower lump 
Or dim moon displayed 
In construction-paper shadows. Cut-outs, fakes. 
 
Its real teeth grind glass to whispers,  
All night.  
All night 
 
Nickel-plated smiles loop in the dark. 
The baby snickers mathematics in its strawberry fist. 
The low moon cools. 
 
The asleep fetus curls at the cold like a prayer,  
Shuffling train wrecks and Freud. Its eyelids  
Flutter dumbly, transparencies of fear. 
 
Blinking a stuck note like a stoplight, 
Red, it is a red 
Ache towards abortion, a birth of swords. 
 
Eaglet-frail, the locked embryo separates the 
neck-skin 
In dewy cobwebs. The small god steps forth, 
On awkward paws, 
 
In Olympian littleness. It prays so hard  
Its follicles widen to craters  
Hungry and empty. 
 
The red head winks. 
 
Its miniature 
Testicles shrink in the air like nipples. It shrieks 
A silver umbilical of dust from a dust-dry mouth, 
 
Its blasted hair scattering time-lapse as stars.

Contents


Warped arcs of blocks

 
Warped arcs of blocks
Fall in unresolvable sentences. 

Wood-dumb they spell 
The wavered intelligences of animals.  WXDSQTZCR. 
Little Merc mumbles in his soft paws. 

He saunters in diapers 
Uncertain as a questionmark on his rubber feet. 
He falls, A, B, C, 

Into a charbydis of ducks, maternal flutters 
Of a pressed bedsheet 
That rises around his face in a lassoed halo of beaks 

Whirling at his eyes. 
Gorilla-thick, at a loss in the cloth waters, his 
taut 
Throat opens in wounds, vowels. 

His dove mother 
Wavers whitely above him, a feathery chalk 
Scratching the blanks. 

Her gargantuan breasts tilt until 
He surfaces in her unfocused arms, in silence 
To a moon of coos.

Contents

Color returns to the kitchen, color flares

 
Color returns to the kitchen, color flares
In the weddingcake interior, 
A bag of glitters. 

An unattended blender 
Roars in the air, grinding towards take-off 
With its metal. laughter. 

A loose 
Noose of volts, lazy as a snake with its plug head 
And forked tongue 
 
Rivers over 
The waterfall counter to a crab hand that grabs, 
Clasping and clasping 
 
For the tinfoil prize. 
Merc jerks 
The heavy trophy into its shadows 
 
A flood of gutturals.  The bladed motor base 
Flashes like foxhounds 
Over the counter with its repetitive whine. 
 
Dragging its master's whip of wire, it is 
A lace of furious slashes, whistles. 
His chuffing arms are useless, sacks of marbles. 
 
As he tries to cry, a bleak 
Radiance leaks 
From his horse teeth. 
 
His suede head pulses purple. 
 
The dull syllable 
Imitates oblivion.


Contents


Jackknifing after a rabbit

 
Jackknifing after a rabbit
His dad threw into the pool., 
Merc wavers, waving his sunlit hand. 
 
His folded body follows 
The scalded rabbit in its pasta surf 
Coiling after concrete edges. 
 
Merc circulates around its wet kickings like a pulse, 
Calculated as a planet 
Centered on a fur-flame sun. 
 
Articulate water wrestles 
The dark pupil- of effort to hieroglyphic whites, 
Foaming its slick aches to a star. 

The stung sun 
            descends with its turbines 
On the cosmos of water, 
The shrill. will 
Of the rabbit on its treadmill, shredding papers. 

Merc explodes its bloat throat, 
Hammer-handed, 
Unable to do anything else. 

Streaked in chaotic water, 
Rising in red plumes from the wound in the pool, 
Merc's eyes 
Are full of the sun. 


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 Faceless in my mirror faceplate

 
"Faceless in my mirror faceplate,
Stars stick 
To my tarred cheeks, bright as pins, kindergarten 
approbations. 

The curdled 
Milky Way escapes my hips 
Like gunsmoke. 

Slick moons strip from my eye like band-aids, scabs. 
A blank cateract 
Revolves in its cracked stone, a broken abacus bead. 

Freeze-dried 
Planets balloon from my luminous belly, blue baby, 
blue baby; 
0 sun, o untouched sister, 

Your far golds develop an unbearable face 
That melts sweats 
Out of my body until I rise like bread." 

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WINTER WATER

 
The lake falls off into blackness.
Leaves, trash 
Skim my surfaces, a fresh exhibit. 

Soft clouds scar their faulty reflections. 
The fast 
Crows row over, a renewable graphite. 

Cries, incomprehensible metals -- 
All. day, 
All day, ineffectual passages, 

Bees ringing the icicles! 
My muds darken a distance, the white 
Clouds claw from my sides, numberless. 

They dare 
To reduce me to a place 
Lightless and leafless, a warm blank.
             
Contents


IN A WHITE ROOM

 
Heavy doves decant against a window, 
Hungry after the cold sun mirrored there 
Repeatedly, in desired pages of the sky. 

"Uncontrollable music shivers from a net 
Of music, roundly played by light 
That lights a tumbled mystery 
Fallen from ourselves."
                       “words,"you say, 
"Resist intention, speaking for themselves 
Out of an alien self, left uninvented."
Light leans against the pale glass 
As you confer your burden to a table where 
Anonymous hands renew a lion's claws. 
Our old controversies still ignite 
Luminous music from these plain happenings. 

But through a wavered pane of cold rage I see 
Angry memories, confused as the swirling rug, 
Rise and unwind; and our voices race 
Like disconnected engines in the idle air, 
Mocking models of our proposed, our true 
Mock-lust, mock-hate. 
                      And now, 
Decorously swaying to the crowded ground, 
The leaden doves move slowly among 
The sideways slanting shadows of themselves.
 
Contents


HISTORY

 
Upright in nostalgia's vice,
The newscast knocked me flat; I am 
Hammered from 
A stiff expectancy that the past, 
Under augers and a strong carpenters hands, 
Could endure 
Into significance like a three-legged stool.
                                           
 Contents


SPEAKING OF SERAPHIM

 
Self-Consuming Angel 
       Black sky, and every bodily signal-- rent 
       Out of joyous communion to one stone 
       Hood clapped shut upon the brimming world, 
       Turning and turning as desires rise, 
       Consummating nothing. 
Everlasting Angel 
                              These stars 
       Are dank indications of an intenser light 
       That revolves above smoke cabins on neon nerves 
       Of words laid bare. 
Self-Consuming Angel 
                  Upon the glassy screen of this 
       Perennial cinema, amplified clouds 
       Dissolve in sleepiest whites, and then repeat 
       Their meaningless accumulations. 
Everlasting Angel 
                                   Larger and larger 
       A significance encircles the silver semblances 
       Of militant vapors, flashing into bliss 
       Like the rose pulses of candied hands. 
       The greater light of pervading thought 
       Bloats to globes, including those 
       False dispersals and their stuttering repeats 
       That clatter sticks against a picket fence 
       Announcing annihilations of fiercest reductionists 
       In walking circles.  Tom Sawyer stalks 
       The increasing forests of his flaming mind, 
       Bare-foot among the beams of burning trees, 
       Chawing creosote tobacco and a red rye stem 
       To its hollow center. 
Self-Consuming Angel 
                              Out of all that rural ruck 
       A final obelisk of blank is burnt: 
       Twisted alphabets of snakes made meaningless 
       Torque their scented pairs of strings, newly purple, 
       On blast-white paper sand to write 
       The doubtful origins of our philosophy.
 
Contents


GENERATION

 
Starting sex up out of books, pale apparitions
Act again the hairy rounds under always weary skies 
Straining sweating eyes for a typed text 
Al-ways the same.  Always the same 
Ghost upon their heaving backs like nets igniting 
Spines of blue fire, turbulent on the doused skin, 
Falling with hope of the dead on locked hearts to find 
Coffins of beating victims too glad to die.
 
 Contents


TIN CAN, ROSE HAND

 
Shattered trees under a cracked white sky
Cycle men to their old delight, 
Mocking age with hooking trunks and hunching buds, 
Scrape nothingness from a star-cramped night 
Whirled into open day.  All men create 
Themselves out of dark and naked fright. 

A wasted clarinetist in an alley squeaks 
Man-shaped castles over asphalt streets 
Frozen water cracked into a paint-stripped stage. 
Barren buildings curtain it, and voices enter 
Rhinoceros shadows of the concrete shells. 
Stumbled figures dream of sleeping sages. 

In scrubbed country and stark city simplified 
To its ungovernable essences 
The fire-spirit of a gold man imposes 
Inextricable image of an isolate will: 
Superhuman wisdom or beauty beyond desire 
Staggered pistons tympannied on steel—  

Banged oildrums beaten into bells 
A scalded landscape can't contrive to shake 
Out of starry wheels or barking gears of trees. 
Thick coal marks of ashes, shadows 
Leaked from blank facades or the rusty sky 
Dwindle like matchsticks into a few 

Familiar, fiery faces.

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ATTITUDES IN A CATHEDRAL

 

I

 
                   Hydrangeas of crabs
                   Linerally skitter 
                   Fandango reefs 
                   Of mutible colors--- 
                   In underwater weather 
                   Carapaces scatter 
                   The one mood of blue; 
                   Damson residue of 
                   Drowning moons. 
                   Polynesian motions 
                   Sift from the shadows, 
                   Indecipherable shadow.
 
Contents


II Old House

 
I thought chaos a good theme enough
And wound my mind in buckshot of design, 
Evoking order from the slant hazard of events-- 
Events that heated every coil of my being 
With intense belief-- 
Cool statues of statistical intellect. 
Bees abandoned to fields, trembling with flowers, 
Retreat to the imageless mosque of their hive. 

Bohr pronounced the quantum atom and doubt ended 
Until. an uncertain Heisenberg rescinded 
Reality to clouds.  This misty synthesis produced 
A regular randomness that increased and dwindled. 
What superconducting image 
In this sliding scale of images will. end 
The magnetic hysteresis loss of man's perennial 
Repetition that resembles a leaf and a flame? 

Energy is eternal and matter ceases. 
Unless some unknown auditor apprehends 
These ink tattoos of a bodily will, any rain 
Can decay them to a watercolor that descends 
In black-and-white 
To the grassy unity of a gutter-stone. 
Ginger as atoms a cloud of bees surround 
This page of fertile moisture spilled to ground. 

Black and white intervals of a silent film propound 
Stiff lilies of countenances on an icy pond. 
Caught in sweet tremors of the emotional round, 
Lovers drone to their histrionic height and die. 
But this scattering stone 
Of projection, my stuttering heart, readjusts to a zone 
Of the besieging sky, large with windy giants, to erase 
All memorial of order from the statued face.  
 
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III

 
And hanging by the broken draperies of light,                                         
Stained leopard spectrums and barracuda arcs he did not choose, 
Throttled in love, and garroted in introspection, 
This immense man 
Curled beneath glass feet of Jesus in his saint-thick nave, 
Projecting realest greens, sheer reefs of hue, until. 
A sudden thunder dense with speech popped the holy faces out, 
Gemming him in calcium.
 
Contents


IV  Bandages  on an Unconscious Soldier

 
               Bone of the mind
               Beats the body back 
               To its irreducible essences. 
               Troubled blood 
               Pumps its lyric chord, 
               Outimagining philosophies. 
               Wavicles of light 
               Wash oceans of skulls 
               With adumbrations of the dream.
 
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V Night After Fire

 
Dry abstracts crack in a tin cup,
Chalky aspirin of the sun, dismissive of shadows, 
Of the leonine rompings curled beneath the altar there, 
In nude dark.  The day has left its traces. 
Consummations of the lunar room resist 
The grainy edges of loss in definition. 
Moony attitudes slip along the marble floor 
In evasive shadows, always changing to create 
Half-silvers of the every day; solacing whales 
Swell from the clumped pews, watery exuberances 
Flashing their half-lights like the sharp shelving 
     of a bay 
Cradling its handful of boats.  But there is also that 
Which floats in us, at evening, murmuring among 
     tones, 
Half-decided as a sleepy body in its yawns, 
Breathing effluences of moonlight from 
Flat corners of the church, its throaty pillars, 
That which rocks in daylight fervors of a baby, 
Waving its sunny fists in the midnight nave. 
There is that which is buoyant and decides.
 
 
Contents


THE FIELD AS A UNIT OF ACTION

 
An ox moved, resolute
Among the wheat. 
 
Bereft, a man 
Set searching for his children, 
Set searching in the weeds. 
 
Cicadas detached the seeds 
And left 
A prognosticating pause. 
 
Scattered by the green 
Politics of wind, the wheat 
Rushed back. 
 
And the ox moved, 
Resolute 
Among the wheat.
 
 
 
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FINGERS PLAYING BACH

 
His tremolo shadow, shading memory 
Blue electrical exact 
Gives merest indication among the leaves 
Of pack-animal rhododendrons. 
 
Swiveled ink, the shadow's crust 
Puts a projectionist's zinnias 
On the braille vegetation, 
Flat floral-abstracts of a horse-hair couch. 
 
And all. these changes of the nightly small, 
Harped quarter-notes, impossibly quaint, 
Half-note emptiness of eyes, 
                                 these few stones, 
 
Increase in repetitions of a scale 
Among the shaggy rhododendrons where 
Gold-apportioned dolphins sequentially appear. 
 


Contents


UNDULATIONS IN A SUMMER MEADOW

 
                    I 
Summer sweltered on a weltred face.
The wheat made hornet-noise in thundering heat. 
Insects blistered with a sound of rain. 
And eyeless inchworms among metered miles 
Of unattended fences, rotting in their sockets, 
Creeped in ticking leaves, repeating as refrain: 
"Summer came to meaning as perished bliss, 
Squandered fruit flashed crystal by this hiss."

                  II 
Abstractly insignificant, whole in handsomeness, 
The solar bridegroom teetered under ruddy skies. 
And summer hunger, that compact animal, 
Sleek with pride, thudding in the dust, 
Avidly fell, in Hyacinth calculus 
Of disaster, on picked paws, through 
Vodka washes of the air in grizzly pantomime, 
To lick the wounded salt of winter's bone. 

                  III 
So that even the summer, hugely one, 
Dwindled in the frosted grass, a blue dew 
That dots the lion-anger of a mantis. 
Summer hunched, wrapped by water-pools, 
Into the stippled selvage of a lemon buttercup 
Lustily- in arrowed rays, zeitgeist beams 
That X-rayed from a outer sun 
A reddened rabbit apperceived as foreign. 

                   IV 
Summer crumbles and winter comes 
Shaking a broken stick.  The empty bush distorts to snow 
In uneven glitters, hale emanations 
Skittering light to a chrysalis sky, remorselessly. 
Searchlights of insects, buried in themselves, 
Barb complaints of August in a rabbit's ear;-- 
Meticulous divas, abruptly clear, they 
Chitter barbarous knowledge on the sunburnt face.
 


Contents


ARCHITECTURE

 
     The wind cries.
     It arises as a moment of concentration 
     In a meditated pool, 
 
     A swift, compelling leap 
     And leap away from origins. 
 
     Complete conceptions of bluest mind 
     Are pasted and pasted 
     In angles of light. 
     To steep sides.  To stones. 
 
     The wind cries 
     Through thin bricks, 
     Whistling scratched Manchurian dirges. 
 
     Sluggish slabs of laborious blue 
     Leap' like words, 
     Into reddest configurations. 
 
     And a few, red leopards, 
     Chased by cold leaves 
     Abrupt as rabbits, 
     Shrink in distorted corners 
     To gauntest gargoyles. 
 
     The wind cries and is subdued 
     By the slouched shadows of the building, 
     Its angular blacks. 
 
     Nothing walks through it as it stands. 
     No light ignites its atoms; 
     Makes its heavy blues burn.
 


Contents


>MERCURY ASTRONAUT

 
     Full sun in outer space
     Dazzles nothing, recorded by an eye 
     Stuffed with brilliance, crinkled lights 
 
     That never boil round leaves to green 
     His mouth ahs on nothingness, exhaling 
     Oceanic eggs of air, stale, while 
 
     Boiling green, the biosphere 
     Shakes its metal forest grandly in 
     Uncinctured space. 
 
     Buoyant midsummer, that fiery eye, 
     Crest across his helmet 
     In crackling, kaleidoscopic hues. 
 
     Plaintive Pluto in aquarium colors, he 
     Aches in a stationary orbit, 
     Unobserved hermit, 
 
     Aches and ceases to ache.
 
 
 
Contents


COPPER PENNIES

 
     A tin earth, diminished 
     To its tumbled essences, 
     Rings loudly in an empty sink. 
 
     A moss earth, bloated 
     To its profoundest provinces, 
     Makes mock of the morosest moon, 
 
     The circular sun.
 
 
Contents


REPETITION IN SPRING

 
    Watery crenulations and puny violets
    Purple among myrtle, say again themselves 
    Under a circular sun. 
 
    Freaked azaleas unpack their sang-froid fronds. 
    Crocuses crouch at a buxom sky, 
    Unnoticed in the noxious new. 
 
    And the same whitened clouds progress against 
    The identical, angry blue. 
    Slow winds 
 
    Move heavily, and heavily, 
    In leaded bushes burdened with blossoms 
    Heavy and heavy.
 
 
 
 
Contents


THE READER IS A RED PROFESSOR

 
    It is in time of evening, the feral recitation, 
    That one finds, among aptest fossils of the day-- 
    A trash of lights-- the animal renunciation, 
    The inability to be consoled. 
 
    It is among dark corners 
    Of a book, the mocking brag 
    Of boys around a dog, one finds 
    The essence of the image of the self 
    Is false. 
 
    It is in time of evening, the midnight bray, 
    A shelf of shadows, indistinguishable 
    From a shelf of shadows 
    Will allow, among empty sounds of paper, 
    The self to be the sound that is nothing.
 


Contents


BRIDAL CORBEIL, A

 
He knew the world's ochre caresses 
And the sibilant moon in a gabby sky, 
Ultraviolet in silence, never to extend 
Its convulsive, milky condolences. 
He knew summer's horn and autumn's marches, 
Saucy consummation of his antipodes, 
The celestial spit whereon he spun 
His day, his night. 
                  He took the moon, 
Like a pale crystal. of the insistent sun, 
Complacently, between his hands. 
He was a lashless innocent among 
The watery solitudes of the clouds. 
Chalky sleeves traverse a chalky residue. 

                  II 
An uncertain woman rises; her incandescent hands, 
Affixed in the momentary sun, contain 
Skeletal clarity of August's sticks. 
Broken music follows their melodious fall. 

Command the plated trumpet, loud 
In the streaked straws of day, to prick 
A trope of love from the heart's triage. 
Pile high the bridal corbeil and make 
A scepter of it, a nod of goldenrod, 
Chrome daisies shattered to their milk, 
Dark morning glories darkly cresting 
Fleets of crocuses, coronas of jonquil, 
Springing obsequary on the hilarious spike 
Crisp with chrysanthemums. 
                          Last night, 
Skipping like a copper phonograph, glyphed 
In brass, her instant voice arose to praise 
His manny motions.  He left, as ochre afterburn, 
In wicked vases, among stone roses, 
A dense, globed love. 
 
 
Contents


DENSITY OF IMAGES

 
     There is, intently, in the jig of things
     A tantalizing licorice 
     That is like 
     The strings of trees in winter, levitating. 
 
     The familiar disembodiments 
     Of sandy afternoons 
     Are like 
     The minutest conversations of our hands. 
 
     Don Pardo: a mind of roses, rolling 
     Under unconfined skies, 
     Will confess: 
     The crimson ball invents the hill. 
 


Contents


BATTLE IN BARITONES

 
     Fiery oakleaves in annihilated elegance 
     Grip like men their sledges, 
     Their last, dwarfed branch. 
 
     Molten wind makes moan against them, 
     Conspiring.  Its aptest blues 
     Sigh like d rasp, and say: unprofitable. 
 
     Electric in the tree's cornices, 
     A scarlet concentrate 
     Whips it wormily back, a slug. 
 
 
Contents


FEBRUARY ASSAULTS THE PARK CUPIDS

 
         Round and round, the sky precedes> 
         Its imaginings, its trees, its clouds, 
         Stiff deposits of a stony light. 
 
         Sleepy children in the fireplace weave 
         Incantations the snow conceals; 
         Crushed absinthe and minty winds. 
 
         Flaming palms of their minutest minds 
         Melt the mildewy attitudes of evergreens 
         In the immobile landscape. 
 
         Their unconscious concupiscence brings, 
         Instant from the machinery of trees 
         The welded statuary of the spring 
 
         With purple, mayoral, immeasurable hand. 
 
 
Contents


RED LECTURE TO THE BOREALIS

 
                        I 
Angering, aurora, eat this candled word
Or be devoured by its controlling image and its 
     might. 

Your snaked light, swimming over road flares 
That splutter their dickering minutes out 

speech red and oceanic green, flicker wormy bells 
of lights that shatter, splintering into stars. 

Impressive eel, ribboned over acrylic stairs 
That saunter rip-tooth from my blank eye, 

Blend your staggered kneelings with the meaning 
I impress. Mutable emperor 

Marching drunkenly down to bathe in this 
Black Atantic: Innocence unbinds the mind from truth. 

                        II 
Is it rancid singing in a gestured scale 
Depthlessly rusting an abandoned sky? 

Scatter-shot chaos fatelessly swinging these 
Intenser lights, chanceless, out to a winter sea? 

Are iron determinants among these casual indulgences 
Of prism tints, advancing, receding, there, here? 

Or is it a feeling that confines 
Its expressions to their unpatterned gatherings? 

Final home puffs from a final trash 
Of details; fat candles hidden in a closet, 

Dusty linen creased to tomes, awaiting 
The silvered outline of a guest who dies. 
 
                           III 
These auroras are the outline of a guest 
Who touches us, hovering honey-hued 
 
Above a native sea that stings our feet. 
Iridescent ridge that images 
 
The mountain-motion of the clipping waves and sea, 
Velvet green on green, tilting in the air 
 
Our comprehending minds assigned, we 
Project your peeled appearances perfectly, 
 
Used whittlings of an idea that once occurred to us, 
That we made.  Our glowing rock is this: 
 
The candied selves of childhood on plum plains 
Expanding with our watering wish, our invented rain 
 
                          IV 
So fate in the end comes to this: bright metaphor 
Of mini-inconsistencies, giant in themselves, 
 
Increasing in us, pantaloons of wettest weather 
Sliding unevenly, erratic economies of air 
 
Or faded sun, sifting red romances, the dead 
And wobbled tracers of impassioned gold 
 
Lapsing in the grass.  Jagged winds 
Simmer in the dirty pewter of the stubbled straw, 
 
Ululating syllables of a hobbled frog 
Until the scrolled aurora of a man, 
 
Bellicose in solitude, complete, articulates 
The uncertain sun, the trembled moon.

 


Contents


BOAR HUNT IN THE KITCHEN

 
  Postcards from Orlando
  Bristle in the barrack; 
  Bric-a-brac of oriental. scents 
 
  Clatter in the tropics. 
  Steam marches blankly from the musical kettle. 
  Occultly titters the snare. 
 
  Darkly unaware, ruddy hinds go hunting 
  Over the hill, the high hill, 
  Of the stove's iron legs, crudely carved. 
 
  Misdirected by the radio, 
  Copper horns twirl in archetypal pines 
  Pinned up like postage-stamps. 
 
  Standing there, emptying his pockets, 
  The bitterness of the bitter bacon, burnt black, 
  Strikes the timid oculist.
 
 
 
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PICK-UP STICKS AT THE OASIS

 
  Brunette fish smack in the sty
  Of dirty water. 
  They turn thickly 
  Their squiggling tails. 
 
  The pond is dry, almost. 
  Dry as this moment is dry, 
  Leaning here, between you and me, 
  Like sunlight on a few dead reeds. 
 
  Meanwhile, here and there, 
  One, or two, 
  Mercury streaks 
  Sharply flare in the vocable mud.
 


Contents


MOUNTAINEERS THIS APRIL

 
     So, Caramunga, this 
     Is the rough height of rocks 
     In West Virginia, 
     These green-browns and greens 
 
     Sipping the possible oxygens 
     Of flashing eagles falling in the West? 
     It is.  It is. 
     Do the delectations of this light, 
 
     This spray of returning whites, 
     Returning edges to the stones on which we stand, 
     Speak to the remoter blues 
     Charging over the oceanic East? 
 
     Yes.  Yes.  They say of bronze, 
     Of farthest bronze, 
     The oozy metals of our skins, muy distant, 
     That glisten here. 
 
     They speak.  They speak and are still.
 
 
 
Utter & scrawl 
 


Contents


ROBERT LOWELL, 1917-77

 
Words more skilled than we; Robert Lowell,
stiff even among the great dead, massively 
     intelligent 
in his lusterless long hair and stare. 
New England put a weight upon his soul and bolus! 
December insanity clocked him wide with style; it was 
your madness made you glisten! 
Separated from yourself by a shack of girls, 
so far afield with the scald of your lost talk 
and built historic monsters, bulling a Caesar’s 
     cruelty 
of public auction your sold heart itself 
would mumble heretical and refuse to listen. 
You tracked your life-jags like ambushed bowling pins 
spinning schooled as compass-fish 
in every direction except consummation.
 


Contents


PRESENT TENSE

 
The words are fragmentary, used & blue:
here in this room... the pencil- rubs its nuzzle 
, shiny, like a cooled volcanic cone in coal, 
spent and boozily enlarged--- its dark outline 
flies from the paper, unable to hunch 
into its black identity anymore. 
Some vacuum of humanity could trace its dust.... 
The old Abel, blowing his sons' grain 
gold into gauche golden air, 
burning in the brilliant diminution of his heirs. 
With a yellow fold of hair my daughter dawns the room, 
too shy to stumble, awkwardly upright, grand-dame 
nursed in her Ovaltine bones.  This page 
will survive in perfect mimicry her father's false waste.
 


Contents


SICK MOTHER

 
Glancing down the Valhalla that we live in,
eyeing the chute; we are connected 
as Newtonians, downed in your square hospital bed, 
deaf spaghetti rushing water at my back, you follow 
the optic split and shift shaft of rosy light 
that mirrors your        image to me, mother. 
Tilting the oven door, open as Auschwitz, 
marooned in steel. like your eyeglassed eyes; 
the burned vomit of heat yawns.... 
Now it is talking like you, 
in an endless fake; your skirr 
of sorrow and remembered slights your diamond, 
cresting divorce like a poisoned arrow, ringing 
your iron trapeze triangle with your wedding ring.
 


Contents


GRAND CAYMAN, 2 WEEKS PER YEAR

 
Heat clamps us shut like a turtle shell.
Dad weaves his one-man oligarchy 
in the sleepy shuttle of a hammock. 
Taking the Boston whaler, like the slow jet 
that spun us south 
over the clumped hazards of brain coral 
clear as our shadows beneath us. 
3 boys' black shrunk heads wrinkle 
with the underwater turbulence 
of the continental shelf. 
Striped fish scissor in the water. 
 
A barracuda needles 
a sealed circuit 
under our oblong floating hull. 
 
Death in water 
is a completion, scaled like God's eyes, 
dulling out unholy 
amounts of too pure light. 
The shore 
shocked us with its diminished harshness, 
sharp as a birch-leaf 
between 2 blue mountains. 
We hovered stutteringly 
above the paper-thin 
angelfish and universal. sand. 
 
Landbound, 
my dad was a black 
dot like a dollar sign, 
twisted in his dreams, swinging 
between 2 drowning trees. 
 
The stitching barracuda tied 
a noose beneath our feet.
 
 
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THIRD PERSON POEM OF TEXAS, or TRAVELING

 
We strafe through the oil haze of Texas.
Pterodactyls codified by rust lark the burnt land 
like fireflies snuffed from mating. 
My infant hand was scabbed by cactus. 
 
Teasing her sweet mouth with a punctual hand, 
absent-minded as a ticker-tape 
in her automatic tan, a girl 
toys with her unemployment check in a blue dress. 
 
All night the clock ticks. 
My hotel cell hums like a radiator. 
Dry summer air 
skinned a lizard on the skillet 
 
of the concrete porch outside.  Against it leaned 
the feathery bodies of three cauled chicks, 
easy in their sutures.  I dived 
naked in the swimming pool-- a solid cube of cool. 
 
The detached Spanish hotel manager's head, 
smooth on a sheet 
of pure blue, 
dropped out of view like a satellite. 
 
My liquid eyes spun 
aqua above 
a tinted sunglass lens.  An Exxon sign 
chips and curls beside a new Cadillac 
 
the color of water. 
Twitching in its mirror windows, nervous 
on a high-tension wire, looking for its baby, 
the hysterical desert sparrow 
 
whistles an operatic note.
 


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DIELLO DAYS

 
Trapped and tapped dry in the chilly north,
Tommy, you live beneath the mirror, 
permanent under light as a hidden fish. 
Dead on pot and the cocaine 
afterburn of fame your high-school. band 
had brought you.  Girls whose spines were cartilage 
shaded your groin with their hair, 
swayback and coral under stagelights clicking out. 
Cornered into college by your "smarts,"
the limit of your relaxation 
became espresso, goggling your eyes toward light; 
dimming the antecedent of your granddad, "Frosh,"
whose muscled calves were baseball bats 
foreshortened age had knotted 
you nosed 
your way through schoolbooks like a scholar. 
It is my heart that burns a yearns! 
Tacking our way like a sailboat 
down the yellow stoplights at 3 a.m. 
Asbury Park thought of as safer 
in your yellow V. W. bug. 
The unpaved 
landing at your home was grace, 
crunching through me like a dream 
Time the dentist had never yet pulled free. 
You knew me lonely 
among the dumb 
frat and brat 
packed rat-tunnels of M. C.'s traditional dorms. 
Mahler wallowed like God 
from your new CD and speakers! 
Waist-high in mud boots, I sank 
hollow as a hearing horn 
into the knotted whirlpool of your gifted carpet.
 


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WATER-SKIING

 
My father's leg was lazered open
by a speedboat on the lake. 
The thudding witness of his heart displayed 
what his arteries allowed. 
Caught on the motor's open air intake, 
he tumbled under water. 
We arrowed toward a drowning son 
he cursed for a weak daughter. 

My younger brother 
bounced in the prow, 
open-chested and half proud 
to be a laughing Bhudda among 
the inexhaustibly dumb. 
Madonnas may, with gathered haunch 
and horse-high head, 
deny with unconscious stately tread 
the downward tug of earth and dirt. 
The clapping water whitened 
under us. 

My older brother's 
head was treading 
like a poolball above the lake. 
So handsome he was "feminine"
in his good looks and grace, the world 
turned to his kind eye or shamefully adverted 
from the stilted scorn of a boy 
aged fourteen years old. 
The agitating skier, stranger 
to our closed globe of blood, 
angled his advance 
at the tilted, shiny head, 
invisible. 

The waves' polymath equation 
was ribboned by my uncle Richard's 
hand-on-engine aim. 
Images retain what mothers throw 
away, disdaining to possess, 
they keep the cluttered feathers 
of an abandoned nest.  What bird, what eagles toss 
--- in counter-measure like a feather's fall, 
each splintered mind's sharp outline 
into a consuming all? 

I kneel beneath 
the white spray's slice of air and stare 
at my swamped brother's seaweed arms stiff against 
the sky. 

My recovered father's leg 
was a red 
hash of graphs.
 
 
 
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SUBMARINES

 
A blind football punctures the dusky sky, 
almost as high as the trees.  The gathered babble 
of unchildlike children's voices 
was transmuted to a murmur 
by the throaty g]oaming of wood-shaded mourning doves. 
We would play a sideways, condescending 
tackle with the girls.  Deft and absolute, 
we built tall treeforts, too high 
to toss a stone in 
or monitored our block on bikes 
as cops and robbers.  Occasionally, among 
the massacred masses of dead leaves 
skimming our black pond like wines 
everyone would sink their wooden submarines with sticks.
 


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MY DAD

 
Even father floundered under Reagan's
New Deal simplicity and 'gags.' 
Nobody survived 
his corporate raids and diverse 
“plans to 0WN Kingdom Come.” 
Money stitched his thigh like Dionysus, 
a second heart and homunculus embryo he'd sewn 
atom to atom in his 1943 physics classes. 
He spent 
a frugal World liar II by the touring and dark dank 
engine shaft of the U.U.S. Saratoga. 
His awful., chewing tobacco breath 
spit in the risen sun 
of "My Jap."
 
Anxious and self-serving at forty, 
he looked for a girl. who'd be docile at parties, 
who could "talk,"and seem 
martini clean and clear as gin--- 
and found my mom. 
 
The combined poison of his poise.... 
 
He'd wanted three boys "like him."
He hovered his flotation waist and buffed head 
above the barreled over 
boys at the orphanage. 
 
He took us as the starting sequence 
of his moneymaking rosary. 
We got a quarter for each 3 and 1/2 acres 
of meadow that we mowed. 
His abstract derision was precise and impractical: 
I graduated with an endangered 
English and Philosophy B. A. 
Absenting himself from the ceremony, 
he'd asked if the diploma came 
“equipped with a meal. card.” 
 
Parentless, I picked 
up my scrolled bone and Gothicscript 
degree in a June-jammed and 100% 
tensionless circus tent. 
 
Work for him will end in the grave. 
I can even see it, dime-thin and empty 
as the intimate, open, unprofitable ache 
of an idle arcade slot machine that tilts beneath 
the narrow necessity of a hill. 

And even in an ice Heaven, my dad 
will be the roly-poly policeman 
breaking every law they made him read 
at college.  Abandoning my Jehovah mom, 
even engineering 
swayed away from his private zeitgeist and "charm."
His very chemistry was clogged! 
As if in heat, every bossiness friend praised his acumen 
and ran. Japanese dry goods mob his malls 
and real estate divestures.  He stalled.... 

And here I sit, 
Caligula-rich and jobless, 
with my fat sack of memories 
to dote and gloat on.
 


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DREAM (SANDRA)

 
Walls rise and define us.  Define you,
locked in memory and panicking like a dove. 
Wrinkled in a uniform with seven painted badges 
dribbling down the left-side shambles 
of your dull as waking shirt. 
You are here to arrest me; steel 
morning bleeds through my eyelids. 
Your bird eyes escape a nest of tangles, 
what you thought the world would be. 
My heart traces your winglike agitation like a geiger; 
a cold globe, half steel, rises like a air bubble 
from my chest--- to lodge enlarged in a speechless neck. 
Sharing your surmise at death, I hold 
your plain tan and spangling T-shirt and cry us awake. 
 


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SELF-PITY

 
All upstream 
I scream into the sheltered 
non-existence that I craved 
and nothing in me needed 
and circumstance 
made me ride like a salmon’s back. 

Windless, I unwind 
towards the pointillist TV screen 
that shows how 
a salmon shoves 
the wadded egg-globes 
of his red sister up to be 
swaddled in his pearl 
mantle of fertility. 

Tons of scarlet guts 
pile up like shingles for the blind 
babies to rain over and eat, 
hazy in the plastic frame 
of the television's perceptions. 

The house resounds... 
Everything but the roof is coming down! 

Outside, no sky 
and dul.1 weeds razoring back and forth 
at the dull. level of my eyes, 
or hip-high 
in the invisible stream that weeps 
in weedy static as I drag 
my kicking, black 
boot setzered in 1-ime. 

There is nobody here to rise 
and kill myself for. 

chiseled like the rubber Hercules 
the psychoanalyst gave him free to beat 
and stretch like a lost Zion, repeatedly, 
tore my treasure-blanket to its bitten, linen 
center and exited. 

Owning and unconsolled, 
I coddled my ripped blanket 
among half-colored coloring pages, and never 
scribbled past the borders.
 
 
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THE BLUE FAN

 
When mom graduated to the hospital
he said he'd sue 
the 20,000 in back taxes back 
and hung up.  The ceiling was ice-blue 
like her corner room at home. 

That was Dad.  He relented. 
Dad always played the Damoclean 
sword unbalanced on a steel string. 

My Mom hugged her thin 
right-hand, broken, twin and hidden 
ribs like exorcism--- 
cursing Adam back to dust, consoling with real pain 
her angled, empty 
arm tucked under like a new wing. 

Insurance evaporated like the rubbing 
alcohol they lavished on 
the raisiny skin disease in the next bed. 
The airplane ambulance, blurring into red, 
transferred her to the settled house 
on hover air. 

Dropped in her electric bed, trapped by June, 
she swiveled to the spasms 
of her Guilleone Beret leg in summer sweat while 
we watched the cheap 
electric fan span the room 
with its oscillating 
blue eye.
 


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MR. _____

 
Your car crunched the city's lacquer flat.
Driving to the cautious sea-side 
resort and sporting town 
you grew up to spurn 
and stay in, 
your razoring voice recited 
above the roar of the open window 
the commonplaces of a poem 
you loved and wrote. 

Silent under the sheeted hail 
of abstractions, I listened 
as the sandy road sizzled and you announced 
that a Wyle E. 
Coyote and Ph.D 
in psychology had dubbed 
it a "work" of "geen-ii-i-us."

Punctually over the phone 
in your seasonal vice of paranoia 
and drop in Throazine, 
you'd ask, 
nervous as the cigarettes you littered 
the unadoring world with, if an 
FBI taperecorder hissed in my right pocket. 

Ill, ill, 
you always mumbled after 
the aching paintings your intensest youth had prayed 
into perfection until 
your tidy mom had tossed 
them, like you, into the metal mental institute 
of the growling garbage truck 
shuffling to the stacked-up dump 
of 2 by 4 ambitions 
like a bear. 

My friend, strapped like Christ 
into the unpainted grade-school chair 
of Marlboro mental hospital 
you knew 
heavy bees were gathering 
to your overloaded 
India inkpot and universal oils.
 


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WORDS, PAUSES

 
The book's
new clean edges hiss 
like a quiver of arrows, a stand 
of just-fed, purple-backed, arrow-headed snakes 
set squiggling over pins. 

Night 
lifts from the wet land, drowns 
the tree's green existence.  Outside 
the world dies.  I sit in 
and nibble. 

Sacredly, 
our doubles winnow into one. 
Day after day 
deep ,rows more.  "His 
old joy grows a man."

Tired ire, tired ire, I turn in, 
and velcro-shut the stuttering 
steam of dreams. 0 closed 
book 
do not bite back.

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From the “Nine Songs” of Ch'u

RIVER LORD

 
 We swim
     in Nine Rivers. 
 Straight winds 
     lash waves. 
 My water chariot, 
     lotus-covered, 
 drawn by dragons, 
     crests river snakes. 
 From K'un-lun: 
     the four quarters; 
 my heart rises 
     restless as leaves. 
 Sun departs 
     and sadness holds me. 
 The far shore, thinking, 
     restlessly wakes me. 
 Fish-scales on the house, 
     dragon-halled; 
 Purple gates 
     on the pearl palace. 
 What Spirit 
     in the water? 
 On a white turtle 
     among speckled fish. 
 We swim 
     the river isles. 
 Wild waters 
     slash down. 
 Our hands 
     and the journey east, 
 following your fair one 
     to Florida. 
 Repeating waves 
     rise to us; 
 reefs of fishes, 
     be my bridesmaids. 

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BLOOM DOOM

 
Bloom is powerless, in his assumptions, 
Stripping given vision 
To intolerable "gumption."
The rose undressed. 

The rose undressed 
In six stages; 
Tailored, chalked, and pressed 
Into ageless (inter)text. 

Nothing adheres in the mix-- 
Arid in constellation air 
Searching like Schopenhaur for a "quick fix."
Trading eyes for ovaries. 

The cunning critics caught him, 
In necessity of nakedness, 
Puffing beauty's praises: 
The rose assessed. 

In whittled ovations 
Where steel will 
Cuts short its own applause 
With a tin whistle, 

Certain flowers find 
Starved scholars prepossessed -- 
All mind a flatulence 
---Unutterable "mess."

Choice confined to brutal boils! 
No light fields of cowless clover 
Unless inherited, or stolen. 
The rose thrown over.

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LYRICXX

I

 
Time mocks me like a rabbi
Hooting perpetual Jaws 
The sweet death-prayer of minutes 
Twixt centuries-- of pause-- 

Slow-- as Amethyst-- melts 
Its rudimentary dew 
So the Public day descends 
In Purple solitude 

Its bald gold face extends 
Mathematical helium 
Multiplied by billions-- then-- erased-- 
Signifies my Sum
 
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>II

 
Awake in a willow wide awake,
The tall clouds opened a failing space. 
I touched the bark of a mare's nose. 
Birch paper answered a burnt heart's cure. 
Stone entered an easing lung 
As I entered it. 

Sky upheld the acorn's grandeur; 
Leaves spoke to leaves. 

Love slithered under 
The mockingbird's foot. 
November took its notes 
Above the shell of scene. 
A cooling lizard swirled 
Around an opaque egg. 

A stone tree opened 
Sweet valves of song. 
A mouse jumped into grass. 
Perpetual grass.

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III

 
Tender as Discretion
reversed to Reticence 
--- imperial--- the meadowlark prefers 
the branch-- awkward--- 
yet-- as agile 
as the wind that it--- begets

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IV

 
Nothing is a sudden Voice 
puts powder in your ear 
--- Vast it echoes-- like the Fall 
of Eternity---
 
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12 PALACES

 
Desolate the provincial palace:
Garden flowers red in loneliness. 
On the steps, 
              white-haired harem girls 

Idly sit and talk of His Lord their Majesty.
 
  YUAN CHEN  
 
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End